Press Release: Koo Jeong-a

New Works: 03.2
07.10.03

New Works: 03.2
July 10 – September 14, 2003

Spencer Finch New York, New York
Koo Jeong-a Seoul, Korea
Erick Swenson Dallas, Texas

Selected by Daniel Birnbaum

About the Artist
A train ride away from Koo Jeong-a's family home in Seoul, Korea, an eight- hundred-year-old frog lives in the side of a mountain. Over a number of years Koo traveled four times to its mythic home, but the golden creature would not appear. Despite not having lain eyes on it, she knew it was there: Koo defended its existence to friends who came but did not see and protected its ancient status from scientific naysayers. Her constant belief was finally rewarded: on a fifth trip the wrinkled being emerged.

Koo's ephemeral installations suggest rewards for the constant believers—for those with unwavering confidence in the existence of alternate realities. She breathes life into the usually inert, creating miniature worlds through ordered scatterings of such everyday material as aspirin, sugar cubes, cigarettes, and light.

In A Reality Upgrade & End Alone (2003), Koo's piece for the 50th Venice Biennale, she carved out a space for subtlety in the midst of insistent politics. The artist brought the upper regions of two walls alive by embedding prismatic buttons into their cracks and crevices. These constellations sparkled with hope and made visible the state of in- betweenness: the realms that could be—and for Koo are—layered all around us.

Koo Jeong-a was born in Seoul, Korea in 1967. In 1992 she began studying at L'Ecole Nationale Supérieure des Beaux-arts, Paris, France, and has been based there since. She has had solo exhibitions at Wiener Secession, Vienna, Austria (2003); CCA, Kitakyushu, Japan (2002); and Galerie Yvon Lambert, Paris, France (2003, 2001, 1999). Her group exhibitions include the 50th Venice Biennale, Venice, Italy (2003); Hugo Boss Prize Short List Exhibition, Guggenheim Museum, New York, NY (2002); and Manifesta 3, Ljublijana, Slovenia (2000).

About the Project
Upon arriving at ArtPace for her residency Koo Jeong-a set to work—but rather than giving shape to a physical object, much of her time was spent creating the conditions necessary to make a piece. For her the process has been similar to sowing the seeds of an unknown flower: she tills and waters and then hopes for the best. Here the substitute for water has been isolation. Koo's first move was to close off her studio space (now the exhibition space) from all visitors. She locked one entrance, and just inside the other built a wall breached only by a Koo-sized mouse hole. After creating this safe haven in which to think, she set out to get to know Texas. Her travels took her West—to places surrounded by an aura of otherworldliness: ghost towns and the "mysterious" lights of Marfa. One the stuff of tall tales, the other a scientific anomaly.

According to Koo the installation that has emerged out of her residency reflects her time here; not only what she has discovered, but also the support ArtPace has given her to discover it. Here she has had much-needed space to breathe—to review the past and look toward the future, and in her work both are represented.

While the wall and mouse hole served a utilitarian purpose during her residency, they remain even after she has gone. The wall and hole not only become the main passageway, but also a substantial element of her installation. This move, a potent and economical gesture, conjures up Alice in Wonderland-like possibilities of other dimensions and cuts to the chase in a way the understated works from her past have not. The wall could be thought of as a bridge arcing over her residency at ArtPace—it hints at isolation, exploration, alternate realities, and the comforts of a cocoon. Koo's wall/hole might also be thought of as a transition from what was to what could be.

Exhibition Dates
July 10 – September 14, 2003

Opening Reception
Thursday, July 10, 2003, 6:30-8:30 PM

Artists' Dialogue
Friday, July 11, 6:30-8:00 PM
Featuring Spencer Finch, Koo Jeong-a, and Erick Swenson. Moderated by Daniel Birnbaum, Curator and Director of Städelschule Art Academy and Portikus Gallery in Frankfurt, Germany.

Brown Bag Lunch
Wednesday, August 6, 2003, 12:00-1:00 PM
Join us for a tour of New Works: 03.2 and a brown bag lunch provided by Pecan Street Deli. Please call ArtPace to make reservations.

Event Locations
All events held at ArtPace, 445 N. Main Avenue. Free parking at Flores Street and Savings. ArtPace is open to the public Wednesday thru Sunday, 12-5pm, Thursday until 8pm and by appointment. There is no charge for admission.

About ArtPace
ArtPace, A Foundation for Contemporary Art | San Antonio serves as an advocate for contemporary art and as a catalyst for the creation of significant art projects. We seek to nurture emerging and established artists and to provide opportunities for inspiration, experimentation and education. Through our International Artist-in-Residence Program, we invite nine artists annually to participate in a two-month residency which supports the evolution of new ideas in art. Our broad range of panels, lectures, artist talks and studio visits cultivates diverse audiences for contemporary art and provides a forum for ongoing dialogue.

445 North Main Avenue San Antonio TX 78205 t 210 212 4900 f 210 212 4990 www.artpace.org